Hi Folks! Nice to be on the board (I just registered).
I've just watched the Supercharge DVD (powerful stuff, wow!)and have that question about the U-nan pattern : it would seem really logical if the third colour was cyan (blue-green) instead of blue. As a matter of fact, magenta, yellow and cyan are complementary colours from which you can derive and create all the other ones. Whereas blue is a primary colour in the other colour system, along with green and red.
Any insight on that?
Apart from that, I'm a medical anthropologist, have lead lenghty researches on energy work and healing around the world (including on psychic surgery in the Philippines)and must state that QT is probably the most amazing tool I've discovered.
It has many common views and beliefs with the spiritual healing I've investigated in Asia.
Let's keep on boogie and let's make people aware that they have the power!
With Love
JD

The colors are the way they presented themselves to Mary Derr. Color theory logic apparently is not involved!

Thanks Jody for this answer!
I still like the idea that the colours in the three spheres be the ones all others colours stem from. I'll experience a bit therefore with the cyan as the third colour, and see if it works or if it makes any difference...
I'm currently watching the Core DVD so Alain and you stand in my living room sometimes. Great stuff!
Warm regards,
JD

The red/yellow/blue color wheel and the magenta/yellow/cyan color wheel relate to colors in light vs paint. (see below) Anyway, perhaps it is similar to the idea of light operating in dual realities--being made of particles or waves. Perhaps the fact that Mary saw a combination of the colors shows the duality of our physical reality as well. (How's that for deep thought this early in the morning!)

The most important problem has been a confusion between the behavior of light mixtures, called additive color mixing, and the behavior of paint or ink mixtures, called subtractive color mixing. A second problem has been the failure to describe the very important effects of strong luminance (lightness) contrasts in the appearance of surface colors (such as paints or inks) as opposed to light colors. Thus, a strong lightness contrast between a yellow paint and a surrounding bright white makes the yellow appear to be green or brown, while a strong brightness contrast between a rainbow and the surrounding sky makes the yellow in a rainbow appear to be a fainter yellow.

This is part of the text on color theory in Wikipedia. See this link for more.

http://en.wikipedia.org/wiki/Color_theory